Both Peace and Standstill (Stagnation) take cogon grass as an image because the hosts of yang and hosts of yin are together below, presenting the image of being entangled by their roots.
In the time of Peace, advancing together brings good fortune; in the time of Standstill, maintaining correctness together brings success.
At first, Standstill took the meaning of small men within and superior men without; here again it takes Six at the Beginning, being obstructed and below, as the way of the superior man.
The Changes draws its meaning according to the times, shifting and transforming without constancy. In a time of Standstill, the one dwelling below is a superior man.
Each of the three yin lines of Standstill has a correspondence above, but in a time of obstruction and separation, they are severed and do not communicate; thus there is no functional correspondence.
If Six at the Beginning can maintain firmness of virtue along with its kind, this is the good fortune of dwelling in Standstill and the success of its way.
Those who can advance in a time of Standstill are small men; the superior man merely extends his principles and avoids disaster. When the superior man advances or retreats, he never fails to act in concert with his kind.