East Almanac
English

1. The Creative (Heaven) (乾)

Line 5

If this line changes it transforms into 14. Possession in Great Measure (大有)

Modern reading

Line five portrays the flying dragon in the heavens, signifying leadership, peak alignment, and constructive collaboration with capable peers. Classical interpretation honors this line as the paramount position of Qian, where expansive vision meets responsible stewardship.

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I Ching / BaZi reading request (from eastalmanac.com).
Page: Hexagram 1 乾 — Line 5.
Interpret through classical principles in two layers: 1) Structural Evidence: identify key line dynamics, changing line pivot, or element balance. 2) Actionable Verdict: direct answer to the inquiry in plain language, followed by 2–3 concrete next steps (action-verb first) and mindful cautions. Grounded wisdom for self-reflection. Source page:
https://eastalmanac.com/yijing/1/5

I Ching casting

Occupying the central and correct place of the upper trigram, this line transforms toward Hexagram 14, Great Possession, epitomizing maturity and widespread resonance.

The classical reading associates the flight through the sky with noble purpose and the mutual benefit of consulting wise mentors and trusted allies. In essence, your abilities are operating at their zenith, and working harmoniously with capable partners magnifies your impact.

Career

Vocational pursuits enter an expansive phase marked by strong credibility, strategic clarity, and the capacity to guide significant initiatives. Classical governance models advise enlisting seasoned counsel and sharing recognition openly to sustain organizational cohesion.

In plain words, this is a prime moment to lead with integrity while empowering the skilled people around you.

Love & relationships

Relational dynamics reflect deep mutual respect, shared ethical standards, and mature emotional reciprocity. Traditional courtship lore notes that when individual integrity shines clearly, shared life goals align naturally without unnecessary contention.

Simply stated, nurturing mutual admiration and celebrating each other's strengths keeps the bond thriving.

Wealth

Material affairs are supported by structural stability, legitimate productivity, and sound governance of accumulated assets. Classical financial thought encourages anchoring resources in transparent, sustainable practices that serve long-term collective health.

To put it simply, steady and upright management provides the strongest foundation for enduring prosperity.

References

Original text

Line statement

5. In the fifth line, undivided, (we see its subject as) the dragon on the wing in the sky. It will be advantageous to meet with the great man.

Small Image

‘The dragon is on the wing in the sky:’—the great man rouses himself to his work.

Classical commentary

Zhouyi BenyiLine statement

Firm, vigorous, central, and correct, dwelling in the honored position—like a sage possessing sage-like virtue and occupying the sage's throne.

Hence its image is as stated, and its divination method is identical to Nine in the Second Line, except that the 'great man' who is beneficial to see is the great man above.

If the diviner himself already occupies that throne, then it means it is beneficial to see the great man below in Nine in the Second Line.

Zhouyi BenyiSmall Image

Zào (pronounced cú-zǎo). Zào has the meaning of 'arising' (zuò).

Yichuan YizhuanLine statement

Advancing to occupy the Heavenly Throne.

Once the Sage has attained the Heavenly Throne, it is beneficial for him to see the great men of virtuous character below to accomplish the affairs of the world together; and all under heaven certainly benefit from beholding that ruler of great virtue.

Yichuan YizhuanSmall Image

The actions of a great man are the deeds of a sage.

Zhouyi ZhuLine statement

Neither walking upon the earth nor leaping from the abyss, but residing in heaven—if not flying, what could it be? Hence it is called a 'flying dragon.' When dragon virtue resides in heaven, the path of the great man penetrates everywhere.

Position is exalted through virtue, and virtue is ordered through position; occupying the pinnacle of position with utmost virtue, is it not fitting that all things behold him?

Zhouyi ZhengyiLine statement

From 'Nine in the Fifth Line' to 'beneficial to see the great man.' Sub-commentary: The Yang qi of Nine in the Fifth Line reaches its zenith in heaven, hence 'flying dragon in the heavens.'

In natural imagery, this is like a sage endowed with dragon virtue soaring to occupy the Heavenly Throne, his virtue covering the world and beheld by all things; hence all under heaven benefit from seeing this great man upon the royal throne.

On the note 'when dragon virtue resides in heaven': Sub-commentary: 'When dragon virtue resides in heaven, the path of the great man penetrates everywhere' means that when a sage with dragon virtue holds the throne, his great path achieves unimpeded flow.

When King Wen was imprisoned at Youli, the path of the great man was not yet unimpaired. 'Position is exalted through virtue' means a person of sage virtue exalts the royal throne.

'Virtue is ordered through position' means only by holding the royal throne can a person of sage virtue arrange and manifest his virtue. Though Confucius possessed sage virtue, he lacked the throne, so his virtue could not be fully ordered through position.

Zhouyi ZhengyiWen Yan commentary

From 'Nine in the Fifth Line says' to 'each follows its own kind.' Sub-commentary: This clarifies the meaning of Nine in the Fifth Line.

'Flying dragon in the heavens' means Heaven broadly stirs all things and all things respond, which is why it is 'beneficial to see the great man.'

Because the great man and all things resonate mutually, the text details various mutual resonances among creatures, concluding with the Sage arising and all things beholding him.

'Notes of the same tone resonate together': like striking the gong note and other gong strings vibrating, or plucking the jue note and other jue strings responding. 'Things of the same qi seek one another out': like pillar bases turning moist when rain is imminent.

These two represent mutual resonance of sound and qi. 'Water flows toward dampness, fire turns toward dryness': these two represent mutual attraction through physical form. Water poured on the ground flows first toward damp spots; fire catching brushwood burns dry branches first.

Water and fire are inanimate, yet resonate according to their qi; the text begins by illustrating these natural things.

'Clouds follow the dragon, wind follows the tiger': the dragon is a water creature, and clouds are water vapor; when a dragon roars, auspicious clouds gather—this is 'clouds follow the dragon.'

The tiger is a fierce beast, and wind is a stirring qi; when a tiger roars, valley winds arise—this is 'wind follows the tiger.' These two illustrate animate creatures resonating with the inanimate, progressing toward the conscious realm.

'When the Sage arises, all things behold him' directly interprets 'flying dragon in the heavens; it is beneficial to see the great man': 'the Sage arises' corresponds to the flying dragon in the heavens; 'all things behold him' corresponds to it being beneficial to see the great man.

The preceding examples illustrate resonance between conscious beings: the Sage possesses the virtue of giving life and nurturing, while all things possess the instinct to live and be nurtured; hence they resonate mutually.

'What is rooted in Heaven cleaves to what is above; what is rooted in Earth cleaves to what is below' broadens this mutual resonance between Heaven and Earth. Master Zhuang says: 'Heaven and Earth blend in fertile harmony, uniting the two qi to generate all things.'

Some creatures receive more celestial qi, while others receive more terrestrial qi; thus the Rites of Zhou speaks of 'celestial products' and 'terrestrial products,' and 'animals' and 'plants.'

Animals endowed with spirit draw qi from Heaven; as Heaven's body moves, living animals move, cleaving to what is above. Inanimate plants receive qi from the earth; as the earth is still, plants remain rooted without moving, cleaving to what is below.

'Each follows its own kind' means that between Heaven and Earth, all things resonate according to their nature and category.

Resonance also occurs between different categories, such as a lodestone attracting needles, amber picking up mustard seeds, silk strings snapping when silkworms spin, or bronze bells in Luoyang tolling when Mount Tong collapses; such instances are too numerous to recount, all stemming from spontaneous natural principle.

Resonance (gǎn) is the stirring impulse; response (yìng) is the answering manifestation. Resonance may occur across vast reaches of time, as when the capture of the lin unicorn under the Zhou prefigured the rise of Gaozu of Han, or yellow stars in the Han prefigured Cao Cao.

Mutual resonance is vast, and this commentary merely outlines its great principles.

Sources