Correct Meaning: The Arousing (Shock, Thunder) means movement. This is a hexagram imaging thunder, Heaven's awesome movement, hence it is named Zhen. Once Zhen moves with dread power, none fail to be terrified. Terrified by awe, all things become orderly.
Through fear breakthrough is achieved; therefore Zhen possesses the virtue of prevalence, hence it is said, 'The Arousing brings prevalence.' Correct Meaning: 'Xì-xì' is the appearance of fear and alarm. 'Yǎ-yǎ' is the sound of laughter and talking.
The function of Zhen is Heaven's dread wrath, used to discipline negligence and laxity; hence when violent thunder and fierce winds strike, the noble person changes countenance; applied to human affairs, it is awesome and dignified instruction carried out throughout the realm.
Therefore, when shock comes, none fail to fear; hence it is said, 'Shock comes with terrified alarm.'
When things are fearful and dare not do wrong, safeguarding their blessings, they eventually arrive at the flourishing of laughter and conversation; hence it is said, 'laughing words ring out merrily.'
'Shock terrifies for a hundred li, yet he does not drop the ladle and sacrificial spirit.'
Correct Meaning: The ladle is used to carry the cauldron's contents; chàng is aromatic wine, reverently offered for ancestral temple rites.
The Arousing hexagram applied to humans also represents the eldest son; the eldest son is the rightful successor above, destined to inherit the weighty charge; when going forth he comforts the army, when staying behind he oversees the state; his awe-inspiring power terrifies for a hundred li, and he can reverently maintain the ancestral temple, ritual vessels, and sacrificial grain, guarding them without loss; hence it is said, 'Shock terrifies for a hundred li, yet he does not drop the ladle and sacrificial spirit.'
Commentary note from 'awesome shock terrifies for a hundred li' to 'the sacred rites of the ancestral temple': Correct Meaning: Earlier scholars all said that the sound of thunder is heard for a hundred li.
Therefore, when ancient rulers established states, dukes and marquises held domains of a hundred li, which were modeled after this.
I venture to suggest that Heaven's crashing thunder cannot be heard merely for a hundred li; rather, in antiquity when land was enfeoffed, a hundred li was the limit.
When King Wen composed the line oracles during the Yin dynasty, he clarified that the eldest son's awe-inspiring power shook an entire state, hence he spoke of 'a hundred li.'
As for 'the ladle is used to carry the cauldron's contents, and chàng is aromatic wine,' Lu Ji says: 'The ladle is a jujube-wood ladle, a utensil for stirring the cauldron.' Earlier scholars all said the ladle resembles a hunting net handle, but without two prongs.
It is made of jujube wood, three feet long, carved at handle and tip. The Book of Songs says, 'Curved are the jujube ladles,' which is this. Jujube (jí) is used to draw upon the meaning of a sincere, upright heart.
In sacrificial rites, one first boils the victims in a cauldron, then places them in the dǐng-cauldron and covers them with a cloth.
When offering, one lifts the cover and uses the ladle to bring them out, placing them upon the sacrificial stands; hence 'the ladle carries the cauldron's contents.'
As for chàng, in Zheng Xuan's interpretation it is wine made from black millet; its aroma is harmonious and expansive (chàng), hence it is called chàng. The Mao Commentary on Songs holds that chàng is an aromatic herb.
Note that the Record of Royal Regulations states: 'The Son of Heaven uses chàng, feudal lords use xūn, and grandees use lán.' Judging by this rule, chàng is clearly a fragrant herb.
Here it specifically mentions 'ladle and sacrificial spirit' because Zheng Xuan says: 'In the sacrificial rites of rulers, honoring the victims and offering the chàng wine is all that matters; the rest is not worth noting.'